Tate Myron, the charismatic Thai-British actor, first captured our hearts with his infectious smile as M.L. Ronnachak Jutathep (Khun Jak) in the Duangjai Taewaprom: Jai Pisut series. By late 2025, his career reached a new milestone as he officially joined the roster of Channel One31.
Without skipping a beat, Tate is ready to serve his first major project under the new label. #legend Thailand sat down with him to discuss his transformative experience playing ‘Tone’ in the intense romance drama Whisper of Desire (Sakuna Son Rak).
“This drama is about life, love, and relationships—the universal human experience,” he explains succinctly, keeping the plot’s mysteries close to his chest. We nodded in understanding, choosing not to press for spoilers. Under the direction of Takonkiet ‘Boy’ Viravan, the magic often lies in the journey’s nuances—much like the version of Tate we met today, a man defined by fierce determination and a grounded humility as he embarks on this new chapter.
The Secret of ‘Tone’
“Tone is a driver who holds the keys to several dark secrets. These secrets are the catalyst for the entire story and the obstacles that drive every character’s motivation. He guards these truths not out of malice, but out of a deep, protective love for those around him.”
The Allure of the Character
“Sincerity and mindfulness. He prioritizes relationships—family, friends, and love—above all else. He is diligent, selfless, and constantly sacrificing for others. I hope the audience sees his heart and stays for his journey.”
The Challenge of Transformation
“It was a massive shift. Firstly, the language. Being a period piece, I had to master formal Thai, specifically the word ‘Khor-rub’ (a respectful affirmative), which I’d never used. My preparation involved ‘Method-speaking’—using ‘Khor-rub’ in my daily life until it felt natural.”
The Complexity of ‘Play within a Play’
“The difficulty was in the layers. Because the plot is so secret-heavy, I often had to perform a ‘drama within a drama.’ In one scene, I might have to convince one character I’m clueless, while another character knows I’m lying, all while keeping the audience guessing. If the balance isn’t perfect, the character could come across as erratic rather than complex.”
On Capability vs. Opportunity
“They are two sides of the same coin. If you have talent but no opportunity, you remain unseen. But if opportunity knocks and you haven’t honed your craft, you’ll stay exactly where you started. You need both to move forward.”
The “You Get To” Mindset
“My life motto is ‘You don’t have to, you get to.’ It’s about shifting your perspective. Instead of viewing tasks like an early morning gym session or a long workday as a burden or an obligation, I view them as privileges. I don’t have to wake up early, I get to wake up and strengthen my body. It changes everything.”
Defining a Good Actor
“Focus and freedom. You shouldn’t pressure yourself to be a certain way. An actor needs the ability to start fresh with every single take, ensuring the performance remains organic and captivating.”
The Future & New Horizons
“I want to try everything. I’ve played a cop, a driver, and a rebel. Next, I’d love to play a bespectacled doctor or perhaps a ‘nerdy’ character lacking in confidence. I’m also back to studying Mandarin. I spoke it better than Thai when I lived in Hong Kong, but as my Thai improved, my Chinese faded. My goal is to eventually conduct interviews in Mandarin naturally.”
