{"id":176,"date":"2023-04-18T11:00:00","date_gmt":"2023-04-18T11:00:00","guid":{"rendered":"\/wp\/144566_144567.jpg"},"modified":"2024-04-25T10:11:40","modified_gmt":"2024-04-25T03:11:40","slug":"riley-keough-tells-net-a-porter-on-landing-her-dream-role","status":"publish","type":"post","link":"https:\/\/hashtaglegend.com\/th\/riley-keough-tells-net-a-porter-on-landing-her-dream-role\/","title":{"rendered":"Riley Keough tells Net-A-Porter on landing her dream role"},"content":{"rendered":"

Having scooped a Camera d’Or prize for her directorial debut at the Cannes Film Festival, actor-producer-writer Riley Keough<\/strong> lays bare about finding her voice, the grittier side of fame and landing her dream role in <\/em>Daisy Jones & The Six<\/p>\n

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Photo: Jeff Henrikson\/Porter\/Net-A-Porter<\/figcaption><\/figure>\n<\/div>\n

In a culture that has become obsessed with “nepo babies”, the backstory to Keough securing her part in Daisy Jones & The Six<\/em> is a gratifying one. No one can simply hustle a singing gig. Not even the granddaughter of “the King of Rock \u2019n\u2019 Roll”. <\/p>\n

Much has been made of Keough\u2019s famous family connections, but her spellbinding, multi-dimensional performance in Daisy Jones & The Six<\/em> is entirely her own. The actor – who was nominated for a Golden Globe for her breakthrough playing an escort in Steve Soderbergh\u2019s The Girlfriend Experience <\/em>(2016) and earned further acclaim in the Andrea Arnold drama American Honey<\/em> (2016) – is the real deal. And not only can she act – she produces, writes, and directs.<\/p>\n

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Photo: Jeff Henrikson\/Porter\/Net-A-Porter<\/figcaption><\/figure>\n<\/div>\n

Prior to auditioning for the title role in the hugely anticipated TV adaptation of Taylor Jenkins Reid\u2019s bestselling novel, which chronicles the escapades of a fictional rock band in the 1970s, the most singing Keough, 33, had done was humming around the house. To play Daisy Jones, the band\u2019s formidable flame-haired frontwoman, however, she would have to do more than just sing; she\u2019d have to learn how to “belt”.<\/p>\n

After several sessions with a coach \u2013 after an already gruelling round of auditions, Keough quite literally found her voice and won the role. A role she had been obsessed with the idea of before she\u2019d even read the book: “I have very severe FOMO for the 1970’s,\u201d she says.<\/p>\n

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Photo: Jeff Henrikson\/Porter\/Net-A-Porter<\/figcaption><\/figure>\n<\/div>\n

Keough \u2013 who quietly welcomed her first child with her husband, Australian stuntman Ben Smith-Petersen, six months ago \u2013 looked to a wide range of references, from Bruce Springsteen to Cher, when preparing for the role.<\/p>\n

Also see: <\/em>Shailene Woodley on her upcoming role in Three Women with Net-A-Porter<\/a><\/p>\n

\u201cI watched so many videos of [singers] in that era to get a sense of their movements. There wasn\u2019t the freedom there is now for women, and that is evident in how they behaved on stage. It was much more restricted in the 1970’s, so I struggled with that because my body movements are so inherently of my generation.\u201d<\/p>\n

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Photo: Jeff Henrikson\/Porter\/Net-A-Porter<\/figcaption><\/figure>\n<\/div>\n

She was also determined to depict her character\u2019s substance abuse in a way that felt thoughtful and appropriate. \u201cBecause this is something I\u2019ve experienced in my family,\u201d she says, carefully. <\/p>\n

\u201cI wanted the moments in which you see Daisy\u2019s addiction to not feel glamorous. To make sure that those moments had weight to them; that we\u2019re seeing the humanity behind the closed doors of what people are perceiving to be glamour.\u201d<\/p>\n

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Photos: Jeff Henrikson\/Porter\/Net-A-Porter<\/figcaption><\/figure>\n

On portraying a sense of \u201cjourney\u201d \u2013 from wannabe singer to bona fide rock star, Keough, was particularly inspired by \u201cthe essence of childlike excitement\u201d she uncovered in a letter that Janis Joplin wrote to her family when she was touring at the height of her career. \u201cI really identified with the way she wasn\u2019t being taken seriously in her art \u2013 and I think a lot of women at the time probably weren\u2019t. And still aren\u2019t.\u201d <\/p>\n

She adds, \u201cI was watching a video on Instagram the other day, of women on late-night talk shows from 2008 or something, and the questions they were asked were so appalling and disgusting,\u201d she continues. \u201cIt was shocking. For women, [the public eye] was a vicious place for many years \u2013 and it still is.\u201d<\/p>\n

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Photo: Jeff Henrikson\/Porter\/Net-A-Porter<\/figcaption><\/figure>\n<\/div>\n

Keough is also a producer \u2013 having set up the company Felix Culpa with her best friend Gina Gammell in 2018 \u2013 and she made her directorial debut at the 2022 Cannes Film Festival; the same year Baz Luhrmann premiered his high-octane, multi-award-winning movie about her grandfather. <\/p>\n

“I just couldn\u2019t believe it,” recalls Keough, whose gritty drama War Pony was awarded the “Camera d\u2019Or” for best debut. “It\u2019s so crazy to have your first film get into Cannes. And to have Elvis<\/em> there the same year was so meaningful.\u201d<\/p>\n

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Photo: Jeff Henrikson\/Porter\/Net-A-Porter<\/figcaption><\/figure>\n<\/div>\n

For Keough, being recognised at Cannes was about so much more than seeing her name on a trophy; it was about finally being validated. In the past, she admits that she\u2019s \u201cfound it easier to sort of disengage and play dumb. I think it\u2019s years of being a female going, \u2018Please listen, I know what I\u2019m talking about\u2019 \u2013 and then it not amounting to anything.\u201d<\/p>\n

\u201cSo it was a moment, as a woman, where you go, \u2018Fuck you\u2019. I am not here by accident. I put a lot of work in to be here.\u201d With her ever-expanding r\u00e9sum\u00e9 \u2013 and the credentials to match \u2013 there certainly isn\u2019t any doubt about that.<\/p>\n

This is an excerpt from Porter\u2019s cover feature. To see the full interview read Porter<\/a><\/em>.<\/p>\n

Also see: <\/em>Yara Shahidi on Black-Ish legacy and Peter Pan & Wendy role with Net-A-Porter<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Having scooped a Camera d’Or prize for her directorial debut at the Cannes Film Festival, actor-producer-writer Riley Keough lays bare about finding her voice, the grittier side of fame and landing her dream role in Daisy Jones & The Six Photo: Jeff Henrikson\/Porter\/Net-A-Porter In a culture that has become obsessed with “nepo babies”, the backstory […]<\/p>\n","protected":false},"author":1,"featured_media":177,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7,8],"tags":[],"class_list":["post-176","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","category-icons"],"acf":[],"yoast_head":"\nRiley Keough tells Net-A-Porter on landing her dream role - Hashtag Legend Thailand Eng<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hashtaglegend.com\/th\/riley-keough-tells-net-a-porter-on-landing-her-dream-role\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Riley Keough tells Net-A-Porter on landing her dream role - 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