{"id":242,"date":"2024-01-03T10:00:00","date_gmt":"2024-01-03T10:00:00","guid":{"rendered":"\/wp\/144524_144525.png"},"modified":"2024-04-25T00:45:13","modified_gmt":"2024-04-24T17:45:13","slug":"patcharavipa-founders-on-design-and-getting-rough","status":"publish","type":"post","link":"https:\/\/hashtaglegend.com\/th-th\/patcharavipa-founders-on-design-and-getting-rough\/","title":{"rendered":"Patcharavipa founders on design and getting rough"},"content":{"rendered":"

Contemporary Thai brand Patcharavipa is making waves in the jewellery space with its chunky gold pieces and inventive re-adaptation of watches and sunglasses. Designer <\/em>Patcharavipa Bodiratnangkura <\/em><\/strong>and her partner <\/em>Kenzi Harleman <\/em><\/strong>talk to Zaneta Cheng <\/strong>about creativity, inspiration and why everything needs a bit of roughness<\/em><\/p>\n

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When i set foot into Patcharavipa Bodiratnangkura and Kenzi Harleman\u2019s Paris showroom on the Rue de Rivoli, my breath is taken away by the way the couple and business partners have transformed the space. There are African sculptures and a yellow modernist wavy couch. To the right, a desk space has been created underneath the avant-garde structure built to create a split level in the cavernous space, allowing guests and clients to feel the enormous ceilings of the space. It\u2019s where they both show their jewellery and where they live.<\/p>\n

I walk over to the coffee table where they\u2019ve displayed pieces from their newest Blur Mirage collection. There are fewer pieces now than a few hours ago, I\u2019m told, because they needed to send some pieces to Gigi Hadid for the launch of her brand today. Never mind, beyond the jewellery there\u2019s so much to look at \u2013 from sunglasses to a gold caged lighter case.<\/p>\n

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Bodiratnangkura, who goes by \u201cPat\u201d and is originally from Thailand, moved to Europe with her boyfriend Harleman to work on their brand Patcharavipa. Currently living and working between London and Paris, the pair have carved a niche jewellery business that has attracted fans from the likes of Hadid and Rihanna. Using 18k Siamese yellow and white gold, the collections bear the brand\u2019s signature melted, welded metal characteristic with collection names such as Ginkgo, Offset, Studio, Clues and Twisted. Much of their designs is based on the couple\u2019s interest in art and design as well as Bodiratnangkura\u2019s Thai heritage.<\/p>\n

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Pat, can you tell me why you started this brand? What was the vision? Where was the gap and why did you want to fill it? <\/strong><\/p>\n

Bodiratnangkura: <\/strong>Basically I studied jewellery at Central Saint Martins and I always knew I wanted to create a brand. So right after I graduated, I found my team and started making a collection out of coconut shell base material and mixing it with textured gold.<\/p>\n

I loved going into caves when I was young, out in the islands, and something about that texture reminded me of those times. Now the texture\u2019s pretty much become my signature. It\u2019s all very tactile, and it\u2019s a reminder of a very special time for me. Think of the texture as pretty much the cave and the waves of the sea.<\/p>\n

Harleman:<\/strong> I think something quite important to note is that it all started very much based in Pat\u2019s family because her family really has a love of jewellery. Her grandma and mum were big jewellery buyers.They would buy for themselves. They were also sourcing a lot of stones. I think from a very, very young age,
Pat was already swimming in this world.<\/p>\n

Bodiratnangkura: <\/strong>Yeah, they\u2019re, like, collectors.<\/p>\n

Harleman:<\/strong> I think they\u2019re great collectors in general, from traditional Thai objects to French brands \u2013 and they\u2019ve always been very inspired by stones. They have incredible stones. And I think from a young age Pat was already designing with costume jewellery. She started when she was about 13 when she would use crystals to bling up phones. So she was already a little businesswoman at 13.<\/p>\n

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What did you call your business?<\/strong><\/p>\n

Bodiratnangkura: <\/strong>All that Glitters. I did the studding all by myself.<\/p>\n

Harleman: <\/strong>The reason I\u2019m telling this story is because even the goldsmiths that she\u2019s working with now are all kind of related to the people that had already been working for the family. So she was very lucky to find such a great team. It all started very quickly, though, when she was in her early 20s after she graduated. 2016 was her first collection.<\/p>\n

Bodiratnangkura: <\/strong>We showed it in Paris.<\/p>\n

Harleman: <\/strong>Which is where we actually met. We met in 2015 when I was working for Dover Street Market and I didn\u2019t have any real knowledge about jewellery. She taught me a lot and then I got her into all the shops and got Dover Street to come over and that\u2019s where it all started. I think Dover Street was amazing for us because they really helped us with everything when we first started.<\/p>\n

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Wow so your first collection basically made it into Dover Street.<\/strong><\/p>\n

Harleman: <\/strong>Yeah, that\u2019s where everything started. We made a bigger collection because of it and they helped us a lot with what we should make and, you know, we\u2019re very creative people, but they really helped us a lot.<\/p>\n

Bodiratnangkura: <\/strong>Later on he joined as a partner, a designer. And during the pandemic, we began customising vintage watches, which have done very, very well. In the first year, we came out with five watches and we sold out.<\/p>\n

Harleman: <\/strong>It was obviously a big investment and a lot of people were saying it was risky because they don\u2019t really buy watches \u2013 they don\u2019t like it when the watches have been touched or altered. But we have a very different eye when it comes to design, be it jewellery, furniture, whatever. So I knew that the watch might not be a watch that people know they want but I had a really good feeling about it. They become jewellery pieces, basically.<\/p>\n

When you look at watches in the \u201970s or \u201960s, they were very creative. They were making pieces of art and obviously they were telling time for you but it was also basically jewellery. It was a lot of gold, a lot of intricate and asymmetric design, and it was a lot of fun. The watch business is very much now in a state where it\u2019s like, \u201cOh, I\u2019ve got a Rolex, I\u2019m in that group \u2013 okay, I\u2019m rich\u201d. We actually don\u2019t wear watches ourselves.<\/p>\n

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Neither do I.<\/strong><\/p>\n

Bodiratnangkura: <\/strong>Yeah, so that\u2019s why we were trying to design a watch that\u2019s a bit like a bracelet, a piece of jewellery.<\/p>\n

Harleman: <\/strong>It was very successful, and that\u2019s really helped us push the rest of the collection.<\/p>\n

Which now includes gold lighter cases.<\/strong><\/p>\n

Harleman: <\/strong>I\u2019m a smoker and we have this thing where you go out and then you come back home, and it\u2019s gone. So I was like, you know what, I\u2019m going to make something very special from something that\u2019s very cheap and I\u2019m going to make sure I\u2019m coming home with my lighter. And then from there we decided to play with more. We love vintage anyway. So now we\u2019re doing sunglasses, like these Pierre Cardin frames from the \u201970s. They\u2019re plastic and we just put gold and diamonds on them. Not too blingy, though; I don\u2019t want it to be too much bling. Just a little accent that doesn\u2019t destroy the actual frame because we want to take care of these pieces and give them a second life.<\/p>\n

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Back to the jewellery, though, the collection is gold-centric and quite chunky. What are the inspirations?<\/strong><\/p>\n

Bodiratnangkura: <\/strong>The newest collection is called Blur Mirage and it\u2019s mostly very bold. It\u2019s a lot of big gold earrings.<\/p>\n

Harleman: <\/strong>You know, I\u2019ll be honest, [Pat] fascinates me because she could literally be in the kitchen and she would not need anything much. She would need just water, a bit of crisps and like she would go on all day long. Pat is an amazing drawer and she\u2019d love to paint all day. As you can see, we have tons of books. We just have so much inspiration. It\u2019s super easy for us. We just stay here in the afternoon and we come up with things, and we\u2019re very close to our goldsmiths so we just constantly bounce things back and forth with them. It\u2019s pretty organic. We want to keep this as a small production. And everything needs to be by hand. We don\u2019t want anything too big.<\/p>\n

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You\u2019re both such big fans of aesthetics and design. What elements of that do you bring into your work? <\/strong><\/p>\n

Harleman:<\/strong> We\u2019re very easily inspired. It can be the things we love, which would be architecture, furniture. They\u2019re great examples actually because a lot of thought went into making all those pieces, especially back in the \u201950s to the \u201970s when they were making things and didn\u2019t have any other points of reference. They actually had to think a lot. There was a lot of space for creativity and that\u2019s kind of what we do now. We get inspired by painters and sculptors and we\u2019re surrounded by these people as well. We also travel a lot so we always go to all the museums, all the bookshops and we always take that inspiration back and start drawing on the plane or in the hotel.<\/p>\n

Bodiratnangkura:<\/strong> I like [Israeli artist] Ya\u2019acov Dorchin.<\/p>\n

Harleman: <\/strong>Ya\u2019acov is a beautiful painter and sculptor. He\u2019s quite contemporary. We had the chance to stay with him. He\u2019s kind of the Picasso of our era and he\u2019s my favourite artist. He changed the way I saw things with the way he would approach expensive things by putting them together with much cheaper things.<\/p>\n

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It takes a certain eye to be able to do that.<\/strong><\/p>\n

Harleman: <\/strong>Yeah, doing that makes it feel real. Like, when you have Picasso \u2013 it\u2019s beautiful, but sometimes it looks so fake. You need roughness. Contrast. Can\u2019t be too square, can\u2019t be too clean, because then it just doesn\u2019t feel real. And, you know, we want to live with things. We like expensive things, but we want to live with them. And I think those artists are very much part of our inspiration.<\/p>\n

Also see<\/em>: Jonathan Crockett\u2019s watch collection<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Contemporary Thai brand Patcharavipa is making waves in the jewellery space with its chunky gold pieces and inventive re-adaptation of watches and sunglasses. Designer Patcharavipa Bodiratnangkura and her partner Kenzi Harleman talk to Zaneta Cheng about creativity, inspiration and why everything needs a bit of roughness When i set foot into Patcharavipa Bodiratnangkura and Kenzi […]<\/p>\n","protected":false},"author":1,"featured_media":243,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-242","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-watches-jewellery"],"acf":[],"yoast_head":"\nPatcharavipa founders on design and getting rough - Hashtag Legend Thailand<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hashtaglegend.com\/th-th\/patcharavipa-founders-on-design-and-getting-rough\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Patcharavipa founders on design and getting rough - Hashtag Legend Thailand\" \/>\n<meta property=\"og:description\" content=\"Contemporary Thai brand Patcharavipa is making waves in the jewellery space with its chunky gold pieces and inventive re-adaptation of watches and sunglasses. 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