Haley Sengsavanh reports on the spring couture 2024 collections by major fashion maisons
Antonio Grimaldi
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For the SS24 Couture season, Rome-based atelier Antonio Grimaldi created Bathing Beauty, inspired by Esther Williams, an American competitive swimmer turned Hollywood star of the 1940s and ’50s. The first look featured a beaded leotard underneath a massive fluffy pink feather jacket. Other subtle nods to his muse included abstract wave-like bodices, and sweeping gowns with matching hoods reminiscent of a swimming cap.
Ashi Studio
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Saudi Arabian couturier Mohammed Ashi presented Ink Sculpture, a stunning and sculptural collection inspired by Japanese poetry and calligraphy. Aside from two glittering gold dresses and a fitted silver
gown, the looks were in sleek monochrome. Standouts included a knee-length jacket with tufted collar and hems made from a stiff sheer fabric, and a sheer top paired with a sparkly black corset and tiered fringe skirt.
Armani Privé
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Giorgio Armani’s latest collection was entitled Haute Couture en Jeu, a French phrase with a double meaning of “putting couture into play” and “couture is having fun”. The garments definitely suited the theme: frothy ruffled skirts in light pastels and splashed watercolour-printed fabric, and delicate lace gowns encrusted with tiny crystals. He presented a beautiful parade of varying textures, colours and silhouettes.
Chanel
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For this season, Virginie Viard dreamt up a delicate ballet core collection that was full of tulle skirts, tutus and leotard-esque bodices styled with white tights. The show opened with actress Margaret Qualley in a tweed jacket with a chiffon Pierrot ruff, a reference to founder Gabrielle “Coco” Chanel’s previous designs. To close the show, Viard’s couture bride wore a short floral-printed frock with airy white chiffon balloon sleeves and a long white tulle train.
Christian Dior
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This collection by Maria Grazia Chuiri was a modern take on 1950s silhouettes; keeping the elegance and sophistication while innovating through fabrics. This marked the first time she made garments with moire, a rippling silk fabric used to create pieces like a strapless scarlet gown with an architectural folded skirt. The structured grey moire blazer with a matching pleated skirt was also an updated version of Christian Dior’s “La Cigale” dress from his 1952 Profile collection.
Elie Saab
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Elie Saab explored “the magic of Marrakesh and of the mystery of the desert rose” in this glamorous, regal and totally red-carpet-worthy collection. Standout looks included a dusty rose lace gown with a matching floor- length hooded cape and a flowing pear-green gown with a glittery 3D flower-encrusted bodice. His couture bride wore a long-sleeved cream gown with gold-embroidered side panels, and accessorised with a jewelled headband and cream veil.
Also see: Catch up with the Gucci Cruise 2025 Fashion Show at London’s Tate Modern